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Page |
Introduction |
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Research in the Humanities |
5 |
ANA-KARINA SCHNEIDER |
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In Theory |
11 |
Narrative and Discursive Games: Translating the Postcolonial into the Postcommunist |
12 |
MARIA-SABINA DRAGA ALEXANDRU |
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Split Modernity: Elements for a Cosmopolitan Theory in Stephen Toulmin’s Cosmopolis |
23 |
GABRIEL C. GHERASIM |
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Retrospections / Introspections |
35 |
“Sahib, you are no longer a guest . . . . You are one of the family”: Wilfred Thesiger and the ‘Problem’ of Participant Observation |
36 |
DAVID SIMMONS and WASFI SHOQAIRAT |
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Black Sheriffs and Villains in White Hats: The Image of the Hero in Western Parodies |
48 |
MATTHEW R. TURNER |
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In Text |
67 |
Narrative Proximity in the Work of Nelson Algren |
68 |
DOUGLAS COWIE |
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Which Is Witch? Exit Women/Enter Saints in Arthur Miller’s Crucible |
90 |
SÉLIMA LEJRI |
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In-Practice |
105 |
The First Romanian Translations of Hamlet |
106 |
OANA-ALIS ZAHARIA |
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Explicitation: A Translation Technique |
121 |
MARIA-TEODORA CREANGĂ |
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Intentionality in the Use of Language Ambiguity: A Pragmatic Approach |
131 |
ANDREEA TEODORESCU |
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Dialogus |
139 |
The Shifting Role of Scholarly Journals in the Field of English Studies |
140 |
ANA-KARINA SCHNEIDER |
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Reviews |
145 |
Lynn Z. Bloom, Donald A. Daiker, and Edward M. White, eds., Composition Studies in the New Millennium |
146 |
ALI SHEHZAD ZAIDI |
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Andrew Nestingen and Paula Arvas, eds., Scandinavian Crime Fiction |
149 |
CHARLOTTE BEYER |
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John A. McClure, Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison |
153 |
ADRIANA NEAGU |
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Notes on Contributors |
157 |
Call for Papers |
162 |
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Call for Membership |
165 |
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