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Page |
Editorial |
5 |
NIGEL McLOUGHLIN |
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Releasing the Lobsters |
9 |
BROOKE BIAZ |
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Spectral Resemblances and Elusive Connections: A Practice-led Research Dialogue between Poetry and Digital Imagery |
17 |
PAUL HETHERINGTON and ANITA FITTON |
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Tuonela |
39 |
PHILIP GROSS |
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Human Geology |
47 |
HANNAH VINCENT |
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Connective Tissue |
68 |
GILL KINGSLAND |
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Certificate 12A and PG-13: “they were children yesterday…” |
82 |
ANDREW MELROSE |
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Port Hardy |
105 |
MARK ROPER |
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Playing God |
108 |
DINA KAFIRIS |
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Two Stories |
112 |
KATE NORTH |
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Becoming Animal, Becoming Others: What We Make with Art and Literature |
121 |
KARIN COPE |
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Icarus Relaunched |
139 |
JERI KROLL |
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Oostende |
143 |
MARTIN RANDALL |
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“There Is No Map and There Is No Road”: Theorising Best Practice in the Provision of Creative Writing Therapy |
160 |
REBECCA PERT |
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Poems |
173 |
LISA MANSELL |
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From An Eschatological Bestiary |
181 |
OZ HARDWICK |
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Cry Havoc and Let Slip |
183 |
KAYLEIGH MOORE |
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Taking Collaborative Stances to Tell the Story. A Socio-linguistic Approach to Nick Hornby’s A Long Way Down |
199 |
DORINA-DANIELA VASILOIU |
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Jeremiads |
214 |
MILES WAGGENER |
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Selections from Thirty-One Octets: Incantations and Meditations |
218 |
STEVEN WINGATE |
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The Writer Walking the Dog: Creative Writing Practice and Everyday Life |
224 |
TONY WILLIAMS |
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Guilty: Poetry as Unreliable Translation |
239 |
KERRY FEATHERSTONE |
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Reviews |
249 |
Jacob, Adam (ed.), W.H. Auden, The Age of Anxiety: A Baroque Eclogue |
250 |
ADRIANA NEAGU |
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Raluca Moldovan, Reel Trauma: The Representation of the Holocaust on Film |
252 |
GABRIEL C. GHERASIM |
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In Memoriam |
256 |
Mourning Scotland: In Memoriam Susan Manning and
Gavin Wallace |
257 |
ADRIANA NEAGU |
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Notes on Contributors |
261 |
Call for Papers |
268 |
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Call for Membership |
271 |
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