Vol. 38, 2022

Contents

New and Old Crises: Postcards from the Floating World
ALEXANDRA MITREA 1

Ontology and Ecological Aesthetics
in Jeanette Winterson’s Art & Lies
QATERALNADA MELHEM 9

Ut pictura poesis: Ekphrasis, Genre Painting and Still Life
in Virginia Woolf, Margaret Atwood and Alice Thompson
ESTELLA CIOBANU 33

Nighttime Invasions, Colonial Dispossession,
and Indigenous Resilience
in Richard Wagamese’s Indian Horse
DORO WIESE 54

Here Be Dragons: The Evolution of Cyberspace
from William Gibson to Neal Stephenson
POL DONETS and NATALIYA KRYNYTSKA 76

Lineage versus Affect in Shakespeare’s, Brontë’s,
and Faulkner’s Representations of Family Systems
JOHN PEACOCK 99

Abortion Travels in Contemporary American Cinema:
Parental Consent and the Bumpy Ride to Termination in
Eliza Hittman’s Never Rarely Sometimes Always and
Rachel Lee Goldenberg’s Unpregnant
RALUCA ANDREESCU 117

The Postcommunist Supplement: The Revision of
Postcolonial Theory from the East European Quarter
BOGDAN ȘTEFĂNESCU 139

The Translatability of Poetry:
Phonaesthesia, Sound Iconicity, Orchestration, and Aesthetic Function.
A Case Study of Poe’s The Raven
MARIA-TEODORA CREANGĂ 163

Transnationalizing Ecocritical Studies
in Arab Diasporic Fiction:
A Case Study of Fadia Faqir’s My Name Is Salma
EMAN K. MUKATTASH 179

A Greimassian Reading
of The Rime of the Ancient Mariner
FATEME RAHMANI and HOSSEIN PIRNAJMUDDIN 201

Postcards

Flotsam and Jetsam: Art, Allegory, and Shipwreck
in the Twenty-First Century (I)
DAVID BRIAN HOWARD 224

Reviews

Mircea M. Tomuș (Transl.). Sir Gawayn and the Grene Knyght – Sir Gawain și Cavalerul cel Verde
ANDREI CRIȘAN 252

Notes on Contributors 257

Call for Papers 261