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Page |
| Introduction |
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| Research in the Humanities |
5 |
| ANA-KARINA SCHNEIDER |
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| In Theory |
11 |
| Narrative and Discursive Games: Translating the Postcolonial into the Postcommunist |
12 |
| MARIA-SABINA DRAGA ALEXANDRU |
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| Split Modernity: Elements for a Cosmopolitan Theory in Stephen Toulmin’s Cosmopolis |
23 |
| GABRIEL C. GHERASIM |
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| Retrospections / Introspections |
35 |
| “Sahib, you are no longer a guest . . . . You are one of the family”: Wilfred Thesiger and the ‘Problem’ of Participant Observation |
36 |
| DAVID SIMMONS and WASFI SHOQAIRAT |
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| Black Sheriffs and Villains in White Hats: The Image of the Hero in Western Parodies |
48 |
| MATTHEW R. TURNER |
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| In Text |
67 |
| Narrative Proximity in the Work of Nelson Algren |
68 |
| DOUGLAS COWIE |
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| Which Is Witch? Exit Women/Enter Saints in Arthur Miller’s Crucible |
90 |
| SÉLIMA LEJRI |
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| In-Practice |
105 |
| The First Romanian Translations of Hamlet |
106 |
| OANA-ALIS ZAHARIA |
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| Explicitation: A Translation Technique |
121 |
| MARIA-TEODORA CREANGĂ |
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| Intentionality in the Use of Language Ambiguity: A Pragmatic Approach |
131 |
| ANDREEA TEODORESCU |
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| Dialogus |
139 |
| The Shifting Role of Scholarly Journals in the Field of English Studies |
140 |
| ANA-KARINA SCHNEIDER |
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| Reviews |
145 |
| Lynn Z. Bloom, Donald A. Daiker, and Edward M. White, eds., Composition Studies in the New Millennium |
146 |
| ALI SHEHZAD ZAIDI |
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| Andrew Nestingen and Paula Arvas, eds., Scandinavian Crime Fiction |
149 |
| CHARLOTTE BEYER |
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| John A. McClure, Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison |
153 |
| ADRIANA NEAGU |
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| Notes on Contributors |
157 |
| Call for Papers |
162 |
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| Call for Membership |
165 |
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