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Page |
| Editorial |
5 |
| NIGEL McLOUGHLIN |
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| Releasing the Lobsters |
9 |
| BROOKE BIAZ |
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| Spectral Resemblances and Elusive Connections: A Practice-led Research Dialogue between Poetry and Digital Imagery |
17 |
| PAUL HETHERINGTON and ANITA FITTON |
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| Tuonela |
39 |
| PHILIP GROSS |
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| Human Geology |
47 |
| HANNAH VINCENT |
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| Connective Tissue |
68 |
| GILL KINGSLAND |
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| Certificate 12A and PG-13: “they were children yesterday…” |
82 |
| ANDREW MELROSE |
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| Port Hardy |
105 |
| MARK ROPER |
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| Playing God |
108 |
| DINA KAFIRIS |
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| Two Stories |
112 |
| KATE NORTH |
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| Becoming Animal, Becoming Others: What We Make with Art and Literature |
121 |
| KARIN COPE |
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| Icarus Relaunched |
139 |
| JERI KROLL |
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| Oostende |
143 |
| MARTIN RANDALL |
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| “There Is No Map and There Is No Road”: Theorising Best Practice in the Provision of Creative Writing Therapy |
160 |
| REBECCA PERT |
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| Poems |
173 |
| LISA MANSELL |
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| From An Eschatological Bestiary |
181 |
| OZ HARDWICK |
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| Cry Havoc and Let Slip |
183 |
| KAYLEIGH MOORE |
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| Taking Collaborative Stances to Tell the Story. A Socio-linguistic Approach to Nick Hornby’s A Long Way Down |
199 |
| DORINA-DANIELA VASILOIU |
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| Jeremiads |
214 |
| MILES WAGGENER |
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| Selections from Thirty-One Octets: Incantations and Meditations |
218 |
| STEVEN WINGATE |
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| The Writer Walking the Dog: Creative Writing Practice and Everyday Life |
224 |
| TONY WILLIAMS |
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| Guilty: Poetry as Unreliable Translation |
239 |
| KERRY FEATHERSTONE |
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| Reviews |
249 |
| Jacob, Adam (ed.), W.H. Auden, The Age of Anxiety: A Baroque Eclogue |
250 |
| ADRIANA NEAGU |
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| Raluca Moldovan, Reel Trauma: The Representation of the Holocaust on Film |
252 |
| GABRIEL C. GHERASIM |
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| In Memoriam |
256 |
Mourning Scotland: In Memoriam Susan Manning and
Gavin Wallace |
257 |
| ADRIANA NEAGU |
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| Notes on Contributors |
261 |
| Call for Papers |
268 |
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| Call for Membership |
271 |
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